Pentimenti #121 | 2022 | 24kt gold leaf, low fired clay made from c.a. 450 million year old fossiliferous shale with pine tree needles, Seagrove wild clay dust | 50 x 30 x 3 cm
Pentimenti #120 | 2020 | gypsum plaster mold of c.a. 400-million-year-old coral fossil bed, 24kt gold leaf, gesso, clay bole, animal glue, natural resin | 55 x 33.5 x 10 cm
Pentimenti #57 | 2017 | ca. 450-million-year-old Ordovician fossil fragment, silver leaf, dragon's blood, natural resin | 10 x 19 x 16.5 cm
Pentimenti #59 | 2017 | Cultured crystals grown on c.a. 300-million-year old Carboniferous coal fragmnets from a West Virginia mountaintop removal mining site | 53 x 38 x 9 cm | private collection
Pentimenti #58 | 2017 | Cultured crystals grown on a c.a. 300-million-year old Carboniferous sandstone fragment with coal layers from a West Virginia mountaintop removal mining site | 10 x 13 x 6.5 cm
Pentimenti #49+#50+#51+#52 | 2016 | c.a. 300-million-year old Carboniferous shale and sandstone fragments with coal layers from a West Virginia mountaintop removal mining site, 24kt gold leaf, silver leaf, mixtion, gesso, clay bole, animal glue, natural resin | 12.5 x 87 x 4 cm (overall)
Pentimenti #40+#41+#42+#43+#44+#45+#46 | 2016 | debris collected from abandoned places, gold leaf, gesso, clay bole, animal glue, natural resin | 15.5 x 343 x 7 cm overall
Pentimenti #45 (diptych) | 2016 | cultured crystals grown on limestone fragments with Stylolite from an abandoned Ohio surface mining site, gold leaf, mixtion, natural resin | 10 x 14 x 6 cm
Pentimenti #46 | 2016 | c.a. 450-million-year-old Ordovician trace fossil fragment, gold leaf, gesso, clay bole, animal glue, natural resin | 15.5 x 34 x 7 cm
Pentimenti #115 | 2019 | 24kt gold leaf, c.a. 450-million-year-old fossil, clay bole, gesso, animal glue, natural resin | 7.5 x 7 x 2 cm
Pentimenti #48 | 2016 | cultured crystals grown on a 19th century Holy Cross Church plaster fragment, 24kt gold leaf, mixtion, natural resin | 9 x 9 x 6 cm
Pentimenti #56 | 2017 | crystals grown on 19th century Holy Cross Church plaster fragment, 24kt gold leaf, dragon's blood, natural resin | 11 x 19 x 16 cm
Pentimenti #66 | 2018 | work-in-progress | photo credit: the artist, Arts/Industry Residency Program, John Michael Kohler Arts Center + Kohler Co.
(right) Pentimenti #70 | 2018 | sand-cast brass from cultured crystals grown on a mold of c.a. 400-million-year-old coral fossil | 16.5 x 43 x 30 cm - (left) Pentimenti #65 | 2018 | Cast gypsum from c.a. 400-million-year-old coral fossil | 38 x 36 x 6 cm
Pentimenti #70 | 2018 | sand-cast brass from cultured crystals grown on a mold of c.a. 400-million-year-old coral fossil | 16.5 x 43 x 30 cm | photo credit: Arts/Industry Residency Program, John Michael Kohler Arts Center + Kohler Co.
Pentimenti #71 | 2018 | solid sand-cast brass from c.a. 400-million-year-old coral fossil | 20 x 43 x 25 cm | 8 x 17 x 10 in. | Kohler Co. Collection | photo credit: Arts/Industry Residency Program, John Michael Kohler Arts Center + Kohler Co.
Pentimenti #74 | 2018 | solid sand-cast brass from cultured crystals grown on c.a. 450-million-year-old fossil fragment. Base: original sand mold | 19 x 13 x 10 cm | photo credit: Arts/Industry Residency Program, John Michael Kohler Arts Center + Kohler Co.
Pentimenti #79 (2018, solid sand-cast brass from cultured crystals grown on an Irish milky quartz, 16 x 16 x 16 cm) with the original cultured crystal fragments | photo credit: Arts/Industry Residency Program, John Michael Kohler Arts Center + Kohler Co.
Pentimenti #81 | 2018 | solid sand-cast iron+slag from cultured crystals grown on an Irish milky quartz | 15 x 16 x 16 cm | photo credit: Arts/Industry Residency Program, John Michael Kohler Arts Center + Kohler Co.
Pentimenti #85 | 2018 | solid sand-cast iron+slag from cultured crystals grown on a mold of c.a. 400-million-year-old coral fossil | 14 x 9 x 5 cm | photo credit: Arts/Industry Residency Program, John Michael Kohler Arts Center + Kohler Co.
Pentimenti #86 | 2018 | solid sand-cast iron from cultured crystals grown on a mold of c.a. 400-million-year-old coral fossil | 12 x 10 x 6 cm | photo credit: Arts/Industry Residency Program, John Michael Kohler Arts Center + Kohler Co.
Pentimenti #92 | 2018 | sand-cast brass from ice crystals | 26 x 20 x 0.5 cm | photo credit: Arts/Industry Residency Program, John Michael Kohler Arts Center + Kohler Co.
Pentimenti #94 | 2018 | sand-cast brass from ice crystals | 26 x 23 x 5 cm | photo credit: Arts/Industry Residency Program, John Michael Kohler Arts Center + Kohler Co.
Pentimenti #97 | 2018 | sand-cast iron+slag from ice crystals | 29 x 20 x 2 cm | photo credit: Arts/Industry Residency Program, John Michael Kohler Arts Center + Kohler Co.
Pentimenti #100 | 2018 | chrome-plated sand-cast iron from ice crystals | 36 x 33 x 1 cm | photo credit: Arts/Industry Program, John Michael Kohler Arts Center + Kohler Co.
Pentimenti #105 | 2018 | sand-cast brass from cultured crystals grown on a mold of c.a. 400-million-year-old coral fossil | 20 x 16.5 x 5 cm | photo credit: Arts/Industry Residency Program, John Michael Kohler Arts Center + Kohler Co.
Pentimenti #106 | 2018 | sand-cast iron+slag from cultured crystals grown on a mold of c.a. 400-million-year-old coral fossil | 26 x 19 x 5 cm | photo credit: Arts/Industry Residency Program, John Michael Kohler Arts Center + Kohler Co.
Pentimenti #66 | 2018 | chrome-plated sand-cast iron from c.a. 400-million-year-old coral fossil | 36 x 38 x 10 cm | photo credit: Arts/Industry Residency Program, John Michael Kohler Arts Center + Kohler Co.
Pentimenti #73 | 2018 | sand-cast brass from c.a. 400-million-year-old coral fossil | 36 x 20 x 3 cm | private collection | photo credit: Arts/Industry Residency Program, John Michael Kohler Arts Center + Kohler Co.
Pentimenti #29 | 2012 | 24kt gold leaf, mixtion, cultured crystals grown on raw linen canvas | 28 x 20 x 8 cm | private collection
Pentimenti #36: Mojácar la Vieja I | 2016 | Moorish archaeological ceramic fragments, gesso, clay, 24kt gold and silver leaf | 8 x 15 x 13 cm
PENTIMENTI
(Pentimenti is the plural of pentimento, a word describing the visible traces of earlier work that can be seen through the layers of a finished painting.)
supported by (to date): KOHLER Arts/Industry Residency Program, Bernheim Arboretum and Research Forest, Antioch College, Contemporary Arts Center, Toyota Motor Engineering and Manufacturing North America, Inc. | special thanks: Kristin Plucar, Garrett Krueger, Robert Halfmann, Mark Crawford, Birschbach Thomas, Gardapee William, Sophie Heyen-Dubé, Jenny Zeller
Pentimenti is an ongoing sculptural series began in 2010. I work with natural, historic, and archaeological fragments. I collect this debris from abandoned places—plaster and gypsum relief fragments from the deconsecrated 19th century Holy Cross Church, limestone/stromatolite fragments from a defunct Midwest surface mining site, sandstone/coal fragments from a West Virginia mountaintop removal mining site, ceramic pieces from a Moorish archaeological site in Spain, and c.a. 450-million-year-old Ordovician fossils from Midwest roadcuts. Viewed as a kind of sedimentary rock, working with gold and silver leaf, I add new layers onto existing layers of these found objects, emphasizing hidden or forgotten strata. My intention is to evoke the geological time scale, where personal experience transforms into the universal, encouraging viewers to linger in the moment and to experience themselves inside deep time.
2018 Pentimenti were created using the mold-making and casting process. I regard this 6000-year-old technique as an alchemical means to accelerate natural phenomena occurring over the layered geological time scale. I executed the preparatory phase during two forest preserve residencies working at a creek site where the banks abound with 400-million-year-old coral fossils. I collected these fragments—or, directly in situ—created molds from the fossil bed and ice crystal formations on the frozen water.
While a stand-alone series, Pentimenti is also foundational to three other series. In Quintessence, I concentrate on the formation of cultured crystals. The Constellaria series centers on using c.a. 450-million-year-old Ordovician fossil fragments/dust/powder as pigments and to create two-dimensional works. The Sidereal Silence: Chalybeate series focuses on the accretion of reddish colored ferrous microcrystalline on raw cotton canvas from the waters of an iron-rich natural spring.
